The Piano Lesson By August Wilson

The day to move the piano draws closer. Wining Boy is also the only other character, aside from Berniece, who can speak with the dead. Sutter loved the piano, but she missed the company of her slaves.

Berniece breaks down her story of her mother's tears and blood mingled with her father's soul on the piano and refuses to open her wounds for everyone to see. Whenever he ends up bankrupt, he wanders back into the Charles house to retell the days of the glory and fame.

Instead of wanting to live in the present and the future like his nephew Boy Willie, Wining Boy drowns himself in the sorrows of his past. Willie's uncles warn him that Sutter will cheat him but Boy Willie refuses to listen. Willie, frustrated, demands that he will sell the piano no matter what.

Study Guide for The Piano Lesson Play

Doaker plays the role of the storyteller, giving detailed and long accounts of the piano's history. Avery's humble personality further emphasizes Berniece's lack of relieving her deceased husband's memory. Each play explores the lives of African-American families. One of the last figures to be added to the play, Grace shows the desires of both Boy Willie and Lymon.

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She even pockets her late husband's gun to ensure the piano's security. As an anniversary present, 1001 sound effects Robert Sutter traded two slaves for a piano. Berniece feels as if the piano should stay in the home rather be sold and it is a family heirloom.

Boy Willie's great-grandfather was a gifted carpenter and artist. Sutter's presence as a ghost is suddenly revived. Sutter would not miss them as much. He may maintain a neutral view of whether the piano should be kept or sold, but he does prevent Boy Willie from taking the piano and bolting without Berniece's knowledge. In this last scene, Berniece plays the piano again and fulfills her duty to her family's legacy.

Who Was August Wilson

The following year brought the Broadway premiere of Two Trains Running. The piano is in her residence and was the one who was led to the piano first. She remains the only member of the family to adamantly demand the keepsake of the piano heirloom.

Some of them mysteriously fell down their own well. Lymon wants to flee to the North where he will be better treated, while Willie feels that whites only treat blacks badly if the blacks do not try and stop them. Doaker insists that Berniece will not sell the piano, because she refused to sell when Avery brought a buyer to the house. His former days of glory emphasize the submergence of his soul in the past. One of the few characters in this play not related to the members of the Charles household, Lymon offers help and sporadic advice to the other characters.

His father was a German immigrant named Frederick Kittel. During the s, Boy Charles constantly complained about the Sutter family's ownership of the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land Sutter's land where his ancestors toiled as slaves. Willie and Lymon attempt to move the piano to test its weight. Since she is not a member of the Charles family, the tension she feels in the last scene of Act Two demonstrates how strong the presence of the ancestral ghosts are in the Charles household.

Willie declares that these are stories of the past and that the piano should now be put to good use. Maretha also allows experimentation among the future progeny of the Charles family, leading observations regarding the best way to pass down family history. Suddenly, Berniece knows that she must play the piano again as a plea to her ancestors.

Themes Characters & Symbols in August Wilson s Play

Instead, Boy Willie wakes Berniece's daughter, Maretha, causing Berniece to run back up the stairs where she sees Sutter's ghost. When his parents divorced, he, his mother and his siblings moved from the poor Bedford Avenue area of Pittsburgh to the mostly white neighborhood of Oakland.

Lymon is upset over his inability to woo women and begins to talk about women's virtues to Berniece. We strive for accuracy and fairness. Berniece changes the topic and asks Avery to bless the house, hoping to destroy the spirit of the Sutter ghost.

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Berniece refuses to listen and walks out. Doaker confesses that he saw Sutter's ghost playing the piano and feels that Berniece should discard the piano so as to prevent spirits from traumatizing the Charles family. He tries desperately to help her find her path and supports her through her pain.

The Piano Lesson

From Wikipedia, the free encyclopedia. Unable to understand the importance of keeping one's legacy around one to understand and grow from it, Boy Willie only concerns himself with labels and capital. Outstanding Director of a Play. Lymon notices the piano which Willie intends to sell to buy Sutter's land. Willie refutes her, Berniece blames Crawley's death on Willie, and the two engage in a fight.

Awards for The Piano Lesson. The Piano Lesson film Fences film. It is the fourth play in Wilson's The Pittsburgh Cycle. The following year, Wilson married Brenda Burton. The year was particularly fruitful for Wilson, as it marked his introduction to Lloyd Richards, who went on to direct Wilson's first six Broadway plays.

Berniece's impulsive year-old brother represents the lack of accepting one's past. Of course, Boy Willie's great-grandfather missed his family more earnestly than the slave owners.

Set in the s, Fences explored the themes of the ever-evolving black experience and race relations in America. His desire to please women and find his soul mate softens Berniece's gaze on crude men and gives him a slight leeway to kiss her.

Lymon is also obsessed with women and plays a large role in allowing Berniece to slowly relieve the mourning of Crawley, her deceased husband. Outstanding Featured Actor in a Play. He carved likenesses of his entire history on the piano.